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・ Chaim Grade
・ Chaim Gross
・ Chaim Gross Studio Museum
・ Chaim Gutnick
・ Chaim Halberstam
・ Chaim Herzog
・ Chaim Hezekiah Medini
・ Chaim Hirschensohn
・ Chaim I. Waxman
・ Chaim ibn Attar
・ Chaim Itsl Goldstein
・ Chaim Janowski
・ Chaim Kamil
・ Chaim Kanievsky
・ Chaim Kiewe
Chaim Koppelman
・ Chaim Kreiswirth
・ Chaim L. Pekeris
・ Chaim Leib Shmuelevitz
・ Chaim Levanon
・ Chaim Loike
・ Chaim Madar
・ Chaim Menachem Rabin
・ Chaim Michael Dov Weissmandl
・ Chaim Mordechai Aizik Hodakov
・ Chaim Mordechai Katz
・ Chaim Nahum
・ Chaim of Volozhin
・ Chaim Ozer Grodzinski
・ Chaim Paltiel (Paltiel of Falaise)


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Chaim Koppelman : ウィキペディア英語版
Chaim Koppelman

Chaim Koppelman (November 17, 1920 – December 6, 2009) was an American artist, art educator, and Aesthetic Realism consultant. Best known as a printmaker, he also produced sculpture, paintings, and drawings. A member of the National Academy of Design since 1978, he was president of the Society of American Graphic Artists (SAGA), which presented him with a Lifetime Achievement Award in 2004. He established the Printmaking Department of the School of Visual Arts in 1959, and taught there until 2007.
Koppelman was an early student of Aesthetic Realism, the philosophy founded in 1941 by Eli Siegel, which is based on the principle, "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves". This principle informed Koppelman's art, teaching, and his work as an Aesthetic Realism consultant. About the importance of this principle to art and life, Koppelman stated, "When Eli Siegel showed that what makes a work of art beautiful – the oneness of opposites – is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind".
Koppelman's art is noted for its originality, masterful technique, humor, and power.〔 He is represented in most major print collections, including New York's Museum of Modern Art, Guggenheim Museum, Whitney Museum, Metropolitan Museum, New York Public Library, Brooklyn Museum, Philadelphia Museum of Art, National Gallery, Smithsonian Institution, and Hirshhorn Museum and Sculpture Garden in Washington, DC, and the Victoria and Albert Museum in London.〔
A retrospective exhibition at the Museo Napoleonico in Rome (2011–12) exposed his work to an international audience.〔(【引用サイトリンク】title=Napoleon Entering New York: Chaim Koppelman and the Emperor. Works 1957–2007 )
==Early life and education==

Chaim Koppelman was born in Brooklyn, New York City, to Sam and Sadie Koppelman, whose images appear in several of his works. At the age of 9, he drew a profile of Napoleon in a geography book, and images of the Emperor would reappear throughout his long career. He began his study of art in Works Progress Administration (WPA) classes at the Brooklyn Museum in 1936, and continued at Brooklyn College, the Educational Alliance, and the American Artists School. He studied sculpture with William Koss, abstract painting with Carl Holty, and lithography with Eugene Morley. At the Art Students League, he studied sculpture with Jose de Creeft and etching with Martin Lewis and Will Barnet.
In the early 1940s Koppelman worked at the Museum of Non-Objective Painting on 54th Street in Manhattan (which later became the Guggenheim Museum) with, among others, Jackson Pollock, Robert De Niro, Sr., Rolph Scarlett, Lucia Autorino, and Ward Jackson. Two of his early, abstract pen and ink drawings are in the Guggenheim collection. The first recorded exhibition of Koppelman's work was held in the Lounge Gallery of the Eighth Street Playhouse in 1942, and included drawings, paintings, and sculpture. The following year, he had a solo exhibition at the Outlines Gallery in Pittsburgh.〔(【引用サイトリンク】title=Chaim Koppelman: Homage a Degas )

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